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SYNOPSIS
AMERICAN BEAUTY
tells the story of Lester
Burnham (Kevin Spacey),
a suburban father who snaps when he becomes disgusted
with his stale, repetitive existence. Burnham lets
us know in voice-over from the film's opening that
this is the day he dies (using the SUNSET BOULEVARD
flashback approach), a technique that adds an inevitable
tension to the proceedings and keeps the story moving
forward at all times. On a whim, Lester quits his
job and begins a regression into young adulthood,
lifting weights, smoking pot, doing nothing, and
discovering the overflowing sexuality of his 16-year-old
daughter's best friend, Angela
(Mena Suvari).
His wife, Carolyn
(Annette Bening),
has her own midlife crisis of sorts. A real estate
agent, she experiences a youthful awakening when
super-agent Buddy
Kane (Peter Gallagher)
seduces her repeatedly. Meanwhile, Jane
(Thora Birch),
the Burnhams' daughter, is pursued by Ricky
(Wes Bentley),
the mysterious boy next door who carries a video
camera around with him at all times. When Ricky's
militaristic father, Colonel
Fitts (Chris Cooper),
discovers something potentially horrifying on one
of his tapes, and when Carolyn's rage for Lester's
actions boils over, the time bomb finally explodes.
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SELECTED
REVIEW
"American
Beauty" is a comedy because we laugh at the
absurdity of the hero's problems. And a tragedy
because we can identify with his failure--not
the specific details, but the general outline.
The movie is about a man who fears growing older,
losing the hope of true love and not being respected
by those who know him best. If you never experience
those feelings, take out a classified ad. People
want to take lessons from you.
Lester Burnham, the hero of "American Beauty,"
is played by Kevin Spacey as a man who is unloved
by his daughter, ignored by his wife and unnecessary
at work. "I'll be dead in a year," he
tells us in almost the first words of the movie.
"In a way, I'm dead already." The movie
is the story of his rebellion.
We meet his wife, Carolyn (Annette Bening), so
perfect her garden shears are coordinated with
her footwear. We meet his daughter Jane (Thora
Birch), who is saving up for breast implants even
though augmentation is clearly unnecessary; perhaps
her motivation is not to become more desirable
to men, but to make them miserable about what
they can't have.
"Both my wife and daughter think I'm this
chronic loser," Lester complains. He is right.
But they are not without their reasons. At an
agonizing family dinner, Carolyn plays Mantovanian
music that mocks every mouthful; the music is
lush and reassuring, and the family is angry and
silent. When Lester criticizes his daughter's
attitude, she points out correctly that he has
hardly spoken to her in months.
Everything changes for Lester the night he is
dragged along by his wife to see their daughter
perform as a cheerleader. There on the floor,
engrossed in a sub-Fosse pompon routine, he sees
his angel: Angela (Mena Suvari), his daughter's
high-school classmate. Is it wrong for a man in
his 40s to lust after a teenage girl? Any honest
man understands what a complicated question this
is. Wrong morally, certainly, and legally. But
as every woman knows, men are born with wiring
that goes directly from their eyes to their genitals,
bypassing the higher centers of thought. They
can disapprove of their thoughts, but they cannot
stop themselves from having them.
"American Beauty" is not about a Lolita
relationship, anyway. It's about yearning after
youth, respect, power and, of course, beauty.
The moment a man stops dreaming is the moment
he petrifies inside and starts writing snarfy
letters disapproving of paragraphs like the one
above. Lester's thoughts about Angela are impure,
but not perverted; he wants to do what men are
programmed to do, with the most beautiful woman
he has ever seen.
Angela is not Lester's highway to bliss, but she
is at least a catalyst for his freedom. His thoughts,
and the discontent they engender, blast him free
from years of emotional paralysis, and soon he
makes a cheerful announcement at the funereal
dinner table: "I quit my job, told my boss
to - - - - himself and blackmailed him for $60,000."
Has he lost his mind? Not at all. The first thing
he spends money on is perfectly reasonable: a
bright red 1970 Pontiac Firebird.
Carolyn and Jane are going through their own romantic
troubles. Lester finds out Carolyn is cheating
when he sees her with her lover in the drive-through
lane of a fast-food restaurant (where he has a
job he likes). Jane is being videotaped by Ricky
(Wes Bentley), the boy next door, who has a strange
light in his eyes. Ricky's dad (Chris Cooper)
is a former Marine who tests him for drugs, taking
a urine sample every six months; Ricky plays along
to keep the peace until he can leave home.
All of these emotional threads come together during
one dark and stormy night, when there is a series
of misunderstandings so bizarre they belong in
a screwball comedy. And at the end, somehow, improbably,
the film snatches victory from the jaws of defeat
for Lester, its hero. Not the kind of victory
you'd get in a feel-good movie, but the kind where
you prove something important, if only to yourself.
"American Beauty" is not as dark or
twisted as "Happiness," last year's
attempt to shine a light under the rock of American
society. It's more about sadness and loneliness
than about cruelty or inhumanity. Nobody is really
bad in this movie, just shaped by society in such
a way they can't be themselves, or feel joy.
The performances all walk the line between parody
and simple realism; Thora Birch and Wes Bentley
are the most grounded, talking in the tense, flat
voices of kids who can't wait to escape their
homes. Bening's character, a real estate agent
who chants self-help mantras, confuses happiness
with success--bad enough if you're successful,
depressing if you're not.
And Spacey, an actor who embodies intelligence
in his eyes and voice, is the right choice for
Lester Burnham. He does reckless and foolish things
in this movie, but he doesn't deceive himself;
he knows he's running wild--and chooses to, burning
up the future years of an empty lifetime for a
few flashes of freedom. He may have lost everything
by the end of the film, but he's no longer a loser.
Roger Ebert
Chicago Sun-Times
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MEMORABLE
QUOTES
Lester Burnham: You don't get to tell me what
to do ever again.
Lester Burnham: I am sick and tired of being treated
like I don't exist. You two do whatever you want
whenever you want to do it and I don't complain
--
Carolyn Burnham: Oh, you don't complain?!! Then
I must be psychotic then! What is this?!! Yeah,
let's bring in the laugh-meter and see how loud
it gets --
[Lester throws a plate at the wall]
Ricky Fitts: Yes, I suck dick for money. You should
see me fuck, I'm the best piece of ass in three
states.
Colonel Frank Fitts: Get out. I don't ever want
to see you again.
Ricky Fitts: What a sad little man you are.
Catering Boss: I'm not paying you do...what ever
it is you're doing out here
Ricky Fitts: Fine, so don't pay me.
Catering Boss: what?
Ricky Fitts: I quit so you don't have to pay me.
Now leave me alone!!
Catering Boss: asshole
Lester Burnham: I think you just became my personal
hero!!!
Carolyn Burnham: Are you trying to look unattractive?
Jane Burnham: Yes.
Carolyn Burnham: Well, congratulations. You've
succeded admirably.
Ricky Fitts: I'm not obsessing. I'm just curious.
Carolyn Burnham: Uh, who's car is that out front?
Lester Burnham: Mine. 1970 Pontiac Firebird. The
car I've always wanted and now I have it. I rule!
Carolyn Burnham: This is a four thousand dollar
sofa upholstered in Italian silk. It is not just
a couch.
Lester Burnham: IT'S JUST A COUCH!
Lester Burnham: Smile! You're at Mr. Smiley's.
[Lester has just caught Caroline cheating with
the Real Estate King.]
Carolyn Burnham: Uh Buddy, this is my--
Lester Burnham: Her husband. We've met before,
but something tells me you're going to remember
me this time.
Lester Burnham: It's okay. I wouldn't remember
me either.
Angela Hayes: What do you want?
Lester Burnham: Are you kidding? I want you.
Brad Dupree: [reading Lester's job description]
My job requires mostly masking my contempt for
the assholes in charge, and, at least once a day,
retiring to the men's room so I can jerk off while
I fantasize about a life that less closely resembles
Hell. You have absolutely no interest in saving
yourself, do you?
Lester Burnham: Brad, I've been a whore for the
telemarketing industry for 15 years. The only
way I could save myself is if I start firebombing.
Ricky Fitts: Welcome to America's weirdest home
videos.
Lester Burnham: look at me, jerking off in the
shower...This will be the high point of my day
it's all down hill from here
Lester Burnham: I feel like I've been in a coma
for the past twenty years. And I'm just now waking
up.
Jane Burnham: I know you think my dad's harmless,
but you're wrong.
Carolyn Burnham: You ungrateful little brat! Just
look at everything you have. When I was your age,
we... lived in a duplex! We didn't even have our
own house!
Carolyn Burnham: Fuck me, your majesty!
Carolyn Burnham: Don't you mess with me Mister,
or I'll divorce you so fast it'll make your head
spin!
Lester Burnham: On what grounds? I'm not a drunk,
I don't fuck other women, I've never hit you,
I don't mistreat you..I don't even try to touch
you because you've made it so abundantly clear
how unnecessary you consider me to be! But, I
did support you before you got your license. And
some people might think that entitles me to half
of what's yours. So, turn off the light when you
come to bed!
Angela Hayes: Yeah? Well at least I'm not ugly!
Ricky Fitts: Yes you are, and your boring and
totally ordinary and you know it.
Brad Dupree: Man, you are one twisted fuck.
Lester Burnham: Nope, I'm just an ordinary guy
with nothing to lose.
Ricky Fitts: Excuse me for speaking so bluntly
sir. But those fags make me want to puke my fucking
guts out.
Colonel Frank Fitts: Well, me too son. Me too.
Ricky Fitts: It was one of those days when it's
a minute away from snowing and there's this electricity
in the air, you can almost hear it. And this bag
was, like, dancing with me. Like a little kid
begging me to play with it. For fifteen minutes.
And that's the day I knew there was this entire
life behind things, and... this incredibly benevolent
force, that wanted me to know there was no reason
to be afraid, ever. Video's a poor excuse. But
it helps me remember... and I need to remember...
Sometimes there's so much beauty in the world
I feel like I can't take it, like my heart's going
to cave in.
Brad Dupree: [reading Lester's job description]
My job requires mostly masking my contempt for
the assholes in charge, and, at least once a day,
retiring to the men's room so I can jerk off while
I fantasize about a life that less closely resembles
Hell.
Jim Olmeyer: Do you just want to lose weight,
or are you looking to increase strength and flexibility
as well?
Lester Burnham: I want to look good naked!
Ricky Fitts: So, do you like to party?
Lester Burnham: What?
Ricky Fitts: Do you like to get high?
Catering Boss: I'm not paying you to do... whatever
it is you're doing.
Ricky Fitts: So don't pay me.
Catering Boss: Excuse me?
Ricky Fitts: I quit. So you don't have to pay
me. Now leave me alone.
Lester Burnham: I think you just became my personal
hero.
Carolyn Burnham: Honey, I watched you the whole
time, and you didn't screw up once!
Carolyn Burnham: There happens to be a lot about
me that you don't know, Mr. Smarty Man. There's
plenty of joy in my life.
Brad Dupree: Got a minute?
Lester Burnham: For you, Brad, I've got five!
Angela Hayes: If people I don't even know look
at me and want to fuck me, it means I really have
a shot at being a model.
Ricky Fitts: My dad thinks I paid for all this
with catering jobs. Never underestimate the power
of denial.
Lester Burnham: This isn't life, it's just stuff.
And it's become more important to you than living.
Well, honey, that's just nuts.
Lester Burnham: Remember those posters that said,
"Today is the first day of the rest of your
life"? Well, that's true of every day but
one --- the day you die.
Jane Burnham: I need a father who's a role model,
not some horny geek-boy who's gonna spray his
shorts every time I bring a girlfriend home from
school.
Jane Burnham: Are you scared?
Ricky Fitts: I don't get scared.
Jane Burnham: My parents will try to find me.
Ricky Fitts: Mine won't.
Angela Hayes: It's that psycho next door. Jane,
what if he worships you? What if he's got a shrine
with pictures of you surrounded by dead people's
heads and stuff?
Ricky Fitts: I was filming this dead bird.
Angela Hayes: Why?
Ricky Fitts: Because it's beautiful.
Lester Burnham: How's Jane?
Angela Hayes: What do you mean?
Lester Burnham: I mean, how's her life? Is she
happy? Is she miserable? I'd really like to know,
and she'd die before she'd ever tell me about
it.
Angela Hayes: She's... she's really happy. She
thinks she's in love.
Lester Burnham: Good for her.
Angela Hayes: How are you?
Lester Burnham: God, it's been a long time since
anybody asked me that. ...I'm great.
Angela Hayes: I've gotta go to the bathroom.
Lester Burnham: I'm great.
[at the dinner table]
Carolyn Burnham: Your father and I were just discussing
his day at work. Why don't you tell our daughter
about it, honey?
Lester Burnham: Janie, today I quit my job. And
then I told my boss to go fuck himself, and then
I blackmailed him for almost sixty thousand dollars.
Pass the asparagus.
Carolyn Burnham: Your father seems to think this
type of behavior is something to be proud of.
Lester Burnham: And your mother seems to prefer
I go through life like a fucking prisoner while
she keeps my dick in a mason jar under the sink.
Carolyn Burnham: How dare you speak to me that
way in front of her. And I marvel that you can
be so contemptuous of me, on the same day that
you LOSE your job.
Lester Burnham: Lose it? I didn't lose it. It's
not like, "Whoops! Where'd my job go?"
I QUIT. Someone pass me the asparagus.
Carolyn Burnham: Honey, don't be weird!
Lester Burnham: You don't think it's kinda weird
& fascist?
Caroyln Burnham: Possibly, but you don't want
to be unemployed.
Lester Burnham: Oh well, alright, let's all sell
our souls and work for Satan because it's more
convenient that way.
Mr. Smiley's Manager: I don't think you'd fit
in here.
Lester Burnham: I have fast food experience.
Mr. Smiley's Manager: Yeah, like twenty years
ago!
Lester Burnham: Well, I'm sure there have been
marvelous advances in the industry, but surely
you must have some sort of training program. It's
unfair you presume I won't be able to learn.
Carolyn Burnham: Well, I see your smoking pot
now. I think the use of a sub-controlled drug
is a very positive example to set for our daughter.
Lester Burnham: You're one to talk, you bloodless,
money-grabbing freak.
Carolyn Burnham: What the hell do you think you're
doing?
Lester Burnham: I'm going to whale on my pecs
and then do my back.
Lester Burnham: I can't feel anything but gratitude
for every single moment of my stupid little life.
Lester Burnham: [Narrating] I had always heard
that your entire life flashes before your eyes
the second before you die. Only that one second,
isn't a second at all, it seems to stretch out
forever like an ocean of time. For me it was lying
on my back at boy scout camp, watching falling
stars. And the maple trees that line our street.
Or my grandmother's hands, and how her skin seemed
like paper. And the first time I saw my cousin
Tony's brand new Firebird. And Janey. And my last
thought was of Carolyn. I guess I could be pretty
pissed off about what happened to me, but it's
hard to be angry when there's so much beauty in
the world. Sometimes, I feel like I'm seeing it
all at once, and I can't take it. My heart swells
up like a balloon that's about to burst. But then
I remember to relax, and stop trying to hold onto
it. And then, it flows through me like rain and
I feel nothing but gratitude for every single
moment of my stupid little life. You have no idea
what I'm talking about, I'm sure. But don't worry.
You will someday.
Jane Burnham: [turning the camera on Ricky] Don't
you feel naked?
Ricky Fitts: I am naked.
Lester Burnham: [narrating] That's my wife, Carolyn.
See the way the handle on her pruning shears matches
her gardening clogs? That's not an accident.
Colonel Frank Fitts: You need structure... and
discipline.
Ricky Fitts: Thank you for trying to teach me,
sir. Don't give up on me, Dad.
Carolyn Burnham: My company sells an image. It's
part of my job to live that image.
Lester Burnham: [narrating] It's a great thing
when you realize you still have the ability to
surprise yourself.
Carolyn Burnham: What are you doing?
Lester Burnham: Nothing.
Carolyn Burnham: You were masturbating!
Lester Burnham: I was not.
Carolyn Burnham: Yes you were!
Lester Burnham: Oh, all right! So shoot me, I
was whacking off! That's right, I was choking
the bishop, chafing the carrot, you know, saying
"hi" to my monster!
Lester Burnham: When I was your age, I flipped
burgers just to be able to buy an eight-track.
Ricky Fitts: That sucks.
Lester Burnham: No, actually it was great. All
I did was party and get laid. I had my whole life
ahead of me.
Buddy Kane: In order to be successful, one must
project an image of success at all times.
Carolyn Burnham: I refuse to be a victim!
Jane Burnham: Somebody should just put him out
of his misery.
Ricky Fitts: Do you want me to kill him?
Jane Burnham: Yeah, would you?
Colonel Frank Fitts: Where's your wife?
Lester Burnham: Uh, I dunno. Probably out fucking
that dorky, prince-of-real-estate asshole.
Colonel Frank Fitts: Your wife is with another
man and you don't care?
Lester Burnham: Nope. Our marriage is just for
show. A commercial for how normal we are when
we're anything but.
Lester Burnham: So Janie, how was school?
Jane Burnham: It was okay.
Lester Burnham: Just okay?
Jane Burnham: No dad, it was spectacular.
[After meeting Ricky Fitts for the first time]
Angela Hayes: What a freak! And why does he dress
like a bible salesman?
Jane Burnham: He's just so confident, it can't
be real.
Angela Hayes: I don't believe him. I mean, he
didn't even like, look at me once!
Angela Hayes: I don't think that there's anything
worse than being ordinary.
Angela Hayes: So, you're fucking psycho-boy on
a regular basis now? Tell me, has he got a big
dick?
Jane Burnham: It's not like that.
Angela Hayes: What, hasn't he got one?
Jane Burnham: I'm not going to talk about his
dick with you, OK?
Ricky Fitts: Yes, I suck dick for money. You should
see me fuck, I'm the best piece of ass in three
states.
Colonel Frank Fitts: Get out. I don't ever want
to see you again.
Ricky Fitts: What a sad little man you are.
Carolyn Burnham: Don't you mess with me, mister,
or I'll divorce you so fast it'll make your head
spin!
Lester Burnham: On what grounds? I'm not a drunk,
I don't fuck other women, I've never hit you,
I don't mistreat you... I don't even try to touch
you because you've made it so abundantly clear
how unnecessary you consider me to be! But I did
support you before you got your license, and some
people might think that entitles me to half of
what's yours. So, turn off the light when you
come to bed!
Angela Hayes: I'm serious. He just pulled down
his pants and yanked it out. You know, like, "Say
hello to Mr. Happy."
Playground Girl #1: Gross.
Angela Hayes: It wasn't gross. It was kinda cool.
Playground Girl #1: So did you do it with him?
Angela Hayes: Of course I did. He's like a really
well known photographer. He shoots for "Elle"
on like a regular basis. It would have been so
majorly stupid of me to turn him down.
Playground Girl #2: You are a total prostitute.
Angela Hayes: Hey! That's how things really are.
You just don't know 'cause you're this pampered
little suburban chick.
Playground Girl #2: So are you. You've only been
in "Seventeen" once and you looked fat!
So stop acting like you're goddamn Christy Turlington!
Angela Hayes: Cunt!
Angela Hayes: You do, slut, you have a crush on
him. You're defending him, you love him, you wanna
have, like, ten thousand of his babies.
Jane Burnham: I don't think we can be friends
anymore.
Angela Hayes: You're way too uptight about sex.
Jane Burnham: Just don't fuck my dad, all right?
Please?
Angela Hayes: Why not?
[Last line]
Lester Burnham: I guess I could be pretty pissed
off about what happened to me. But it's hard to
stay mad when there's so much beauty in the world.
Sometimes I feel like I'm seeing it all at once...
and it's too much. My heart fills up like a balloon
that's about to burst. And then I remember...
to relax, and not try to hold on to it. And then
it flows through me like rain. And I can't feel
anything but gratitude for every single moment
of my stupid little life. You have no idea what
I'm talking about, I'm sure. Don't worry... you
will someday.
Ricky Fitts: She's not your friend. She's just
someone you use to feel good about yourself.
Angela Hayes: Jane, he's a freak!
Jane Burnham: Then so am I! And we'll always be
freaks and we'll never be like other people and
you'll never be a freak because you're just too...
perfect!
Angela Hayes: You total slut, you have a crush
on him. You're defending him, you love him, you
wanna have, like, ten thousand of his babies.
Lester Burnham: My name is Lester Burnham , this
is my neighborhood, this is my street , this is
my life. I am 42 years old, in less than a year
I will be dead. Of course i don't know that yet,
and in a way i am dead already.
Lester Burnham: [narrating] Both my wife and daughter
think I'm this gigantic loser and they're right,
I have lost something. I'm not exactly sure what
it is but I know I didn't always feel this...
sedated. But you know what? It's never too late
to get it back.
Jane Burnham: Could he be any more pathetic?
Angela Hayes: I think it's sweet. And I think
he and your mother have not had sex in a long
time.
[Seeing Lester and the two Jim's jogging]
Colonel Frank Fitts: What is this?! The fucking
Gay Pride parade!
Lester Burnham: [narrating] Janie's a pretty typical
teenager. Angry, insecure, confused. I wish I
could tell her that's all going to pass, but I
don't want to lie to her.
Jim Olmeyer: Hello! We're your neighbors from
two doors down and we just wanted to welcome you
to the neighborhood!
[handing the Colonel a gift basket]
Jim "JB" Berkely: Everything's from
our garden, except for the pasta.
Jim Olmeyer: Yes, it's from Fizzoli's, it's amazingly
fresh, you just pop it in water and it's done!
I'm Jim Olmeyer
[shakes the Colonel's hand]
Jim Olmeyer: And this is my partner Jim.
Jim "JB" Berkely: Jim Berkely, but people
call me J.B.
[extends his hand to shake]
Colonel Frank Fitts: Ah, let's just cut to it,
what are you selling?
Jim Olmeyer: Nothing, we just wanted to welcome
you to the neighborhood.
Colonel Frank Fitts: You said you're partners,
so, uh what's your business?
Jim Olmeyer: Well, he's a tax attorney.
Jim "JB" Berkely: And he's an anesthesiologist.
Ricky Fitts: I didn't mean to scare you. I just
think you're interesting.
Lester Burnham: Okay, let's all sell our souls
and work for Satan 'cos it's more convenient that
way!
Lester Burnham: Man, oh man. Man, oh man, oh man,
oh man, oh man.
[last words, while looking at a picture of his
family]
|
TRIVIA
Kevin Spacey and Annette
Bening were both the first choices of Sam Mendes
for the roles of Lester and Carolyn although the
role of Lester Burnham was originally offered to
Tom Hanks (who later starred in Sam Mendes's follow
up project Road to Perdition (2002), and Chevy Chase.
The role of Angela Hayes was offered to Kirsten
Dunst, who turned it down.
Terry Gilliam turned down the chance to direct the
film.
Jeff Daniels was also considered for the role of
Lester Burnham.
Thora Birch was only 17, so filming her brief nude
scene required permission from her parents, who
were both on the set during the filming along with
child labor representatives.
The Smiley fast food restaurant is actually a Carl's
Jr.
The Spartanettes' dance routine was choreographed
by singer Paula Abdul.
Wes Bentley smoked honey tobacco with Kevin Spacey
for the pot-smoking scenes.
This film has been described as "Death of a
Salesman" for the nineties. Early in the film,
Carolyn mentions that "the Lomans" just
moved out of the house next door.
The last name of Mena Suvari's character, Angela
Hayes, is probably a reference to the last name
of Lolita Haze, from the Vladimir Nabokov novel
"Lolita."
Lester Burnham, a middle-aged man who develops an
infatuation with an adolescent girl, is an update
of Humbert Humbert from the classic novel Lolita.
"Lester Burnham" is an anagram for "Humbert
learns."
Like his earlier film, Usual Suspects, The (1995),
this film ends with a Kevin Spacey voiceover, with
the screen fading to black before he speaks the
final words. ("You will someday", in this
film; "He's gone", in The Usual Suspects).
Lester gives his work phone number as 555-0199.
This was also the phone number Al Pacino leaves
on Russell Crowe's answering machine in the beginning
of _Insider, The (1999)_, released the same year.
The self-help tapes that Carolyn listens to are
made by a "Dr. Alan Ball." Alan Ball is
the film's screenwriter.
The end credits extend special thanks to "Dr.
Bill & Alice." This is a reference to Eyes
Wide Shut (1999), whose female lead, Nicole Kidman,
appeared on stage in The Blue Room, also directed
by Sam Mendes.
In Lester's cubicle we see a small movie poster
for Usual Suspects, The (1995).
The area codes in Jane's phone book are 312, which
is the area code for Chicago. The paper in the Burnham's
kitchen appears to be the Chicago Sun-Times.
A photograph of the Burnhams' home can be seen to
the left of Ricky Fitts when he introduces himself
to Lester at the Real Estate Convention.
The painting in the banquet hall behind Ricky during
his meeting with Lester is actually of the Burnham
Home.
The tagline and important theme of the film - "Look
closer" - can be seen in Lester's cubicle at
work.
The title of the film refers to a breed of roses.
The lawn signs for both Carolyn and Buddy have phone
numbers with an (847) area code. The (847) area
code serves the northern suburbs of Chicago, Illinois.
Director Cameo: [Sam Mendes] Near the end of the
film, when Ricky opens the kitchen door to discover
Lester, the hand opening the door (to reveal the
blood on the table) is that of director Sam Mendes.
The video for "Cancer For The Cure" by
Eels can be seen on a television Jane and Angela
are watching.
Executive Producer Steven Spielberg personally recommended
Sam Mendes to direct this film.
Director Sam Mendes personally filmed the pivotal
POV shot of Ricky's camera when he zooms past the
figure of Angela to "look closer" at Jane's
smiling reflection in the mirror.
Though the film appears to be set in a suburb of
Chicago, IL, the aerial shots over the town were
filmed above Sacramento, CA. The crew originally
wanted to use San Jose, CA, for the shot, but its
police department wouldn't allow their helicopter
to fly below 300 feet due to noise disturbance;
the crew had hoped for a 100-ft height. However,
the same 300-ft height limit was imposed in Sacramento
as well!
DRTRADE(Sam Mendes): Water marks the event of a
death
When Lester is sitting at his desk at work, there
is a small poster that says "Look Closer".
This is the movie's tagline.
The helicopter shot at the beginning of the movie
was originally for a flying sequence where Lester
floats over the houses and then down onto his bed.
The high school campus scenes in American Beauty,
including the Spartanette dance sequence in the
gymnasium, were shot at South High School in Torrance,
California.
The original script was topped and tailed with scenes
of Ricky and Jane in jail and on trial, and other
events surrounding their arrest.
The scene where Lester is putting in an application
for the counter job at Smiley Burger was actually
shot at night, but it was later fixed to look like
day. Notice that neither Lester nor the burger kid
have shadows on their faces from the sun.
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BASIC INFO
United States, 1999
U.S. Release
Date: 9/15/99 (limited);
9/24/99 (wider)
Running Length:
2:00
MPAA Classification:
R (Profanity, nudity, sexual situations, drugs,
violence)
Theatrical Aspect
Ratio: 2.35:1
Director: Sam
Mendes
Producers:
Bruce Cohen, Dan Jinks
Screenplay:
Alan Ball
Cinematographer:
Conrad L. Hall
Music:
Thomas Newman
U.S. Distributor:
Dreamworks SKG
In English |
DVD FEATURES
Region 1
Keep Case
Anamorphic Widescreen 2.35
Audio
Dolby Digital 5.1 English
DTS Surround 5.1 English
Additional Release
Material
Featurette
Audio Commentary 1. Sam Mendes Director, Alan
Ball Writer
2. Sam Mendes Director, Conrad L. Hall Cinematographer
Trailers
Text/Photo Galleries
Production Notes
Storyboards
Biographies 1. Cast & Crew
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KEYWORDS
black-comedy, remote-controlled-toy-car, depression,
homosexual, dv-camera, video-footage, murder,
adultery, real-estate-agent, bathtub-scene, self-discovery,
drug-dealing, child-abuse, drugs, teen-romance,
voyeur, suburbia, fitness, beauty, estranged-couple,
weapon, videotape, american-dream, narration-from-the-grave,
lolita, midlife-crisis, obsessive-compulsive,
gun, video-camera, critically-acclaimed, sexual-fantasy,
materialism, exposed-breast, nudity, dysfunctional-family,
domineering-father, cannabis, masturbation-scene,
nihilism, homophobia, violence, tragedy, nazi-paraphernalia,
alienation, get-into-shape, kissing, rose, misfit,
affair, neighbor, parenthood, teen, urine, asparagus,
blackmail, shot-in-the-head, face-slap, gay-slur,
breast-enlargement, breasts, twist-in-the-end,
cheerleader, goth-girl, satire, pedophile, cheerleading
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CAST
& CREW
Kevin Spacey
.... Lester Burnham
Annette Bening
.... Carolyn
Burnham
Thora Birch
.... Jane Burnham
Wes Bentley
.... Ricky Fitts
Mena Suvari
.... Angela Hayes
Peter Gallagher
.... Buddy Kane
Allison Janney
.... Barbara Fitts
Chris Cooper
(I) .... Colonel
Fitts
Scott Bakula
.... Jim Olmeyer
Sam Robards
.... Jim Berkley
Barry Del Sherman
.... Brad
Ara Celi
.... Sale House Woman #1
John Cho
.... Sale House Man #1
Fort Atkinson
.... Sale House Man #2
Sue Casey
.... Sale House Woman #2
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