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SYNOPSIS

AMERICAN BEAUTY tells the story of Lester Burnham (Kevin Spacey), a suburban father who snaps when he becomes disgusted with his stale, repetitive existence. Burnham lets us know in voice-over from the film's opening that this is the day he dies (using the SUNSET BOULEVARD flashback approach), a technique that adds an inevitable tension to the proceedings and keeps the story moving forward at all times. On a whim, Lester quits his job and begins a regression into young adulthood, lifting weights, smoking pot, doing nothing, and discovering the overflowing sexuality of his 16-year-old daughter's best friend, Angela (Mena Suvari). His wife, Carolyn (Annette Bening), has her own midlife crisis of sorts. A real estate agent, she experiences a youthful awakening when super-agent Buddy Kane (Peter Gallagher) seduces her repeatedly. Meanwhile, Jane (Thora Birch), the Burnhams' daughter, is pursued by Ricky (Wes Bentley), the mysterious boy next door who carries a video camera around with him at all times. When Ricky's militaristic father, Colonel Fitts (Chris Cooper), discovers something potentially horrifying on one of his tapes, and when Carolyn's rage for Lester's actions boils over, the time bomb finally explodes.

SELECTED REVIEW



"American Beauty" is a comedy because we laugh at the absurdity of the hero's problems. And a tragedy because we can identify with his failure--not the specific details, but the general outline.

The movie is about a man who fears growing older, losing the hope of true love and not being respected by those who know him best. If you never experience those feelings, take out a classified ad. People want to take lessons from you.



Lester Burnham, the hero of "American Beauty," is played by Kevin Spacey as a man who is unloved by his daughter, ignored by his wife and unnecessary at work. "I'll be dead in a year," he tells us in almost the first words of the movie. "In a way, I'm dead already." The movie is the story of his rebellion.



We meet his wife, Carolyn (Annette Bening), so perfect her garden shears are coordinated with her footwear. We meet his daughter Jane (Thora Birch), who is saving up for breast implants even though augmentation is clearly unnecessary; perhaps her motivation is not to become more desirable to men, but to make them miserable about what they can't have.

"Both my wife and daughter think I'm this chronic loser," Lester complains. He is right. But they are not without their reasons. At an agonizing family dinner, Carolyn plays Mantovanian music that mocks every mouthful; the music is lush and reassuring, and the family is angry and silent. When Lester criticizes his daughter's attitude, she points out correctly that he has hardly spoken to her in months.



Everything changes for Lester the night he is dragged along by his wife to see their daughter perform as a cheerleader. There on the floor, engrossed in a sub-Fosse pompon routine, he sees his angel: Angela (Mena Suvari), his daughter's high-school classmate. Is it wrong for a man in his 40s to lust after a teenage girl? Any honest man understands what a complicated question this is. Wrong morally, certainly, and legally. But as every woman knows, men are born with wiring that goes directly from their eyes to their genitals, bypassing the higher centers of thought. They can disapprove of their thoughts, but they cannot stop themselves from having them.



"American Beauty" is not about a Lolita relationship, anyway. It's about yearning after youth, respect, power and, of course, beauty. The moment a man stops dreaming is the moment he petrifies inside and starts writing snarfy letters disapproving of paragraphs like the one above. Lester's thoughts about Angela are impure, but not perverted; he wants to do what men are programmed to do, with the most beautiful woman he has ever seen.



Angela is not Lester's highway to bliss, but she is at least a catalyst for his freedom. His thoughts, and the discontent they engender, blast him free from years of emotional paralysis, and soon he makes a cheerful announcement at the funereal dinner table: "I quit my job, told my boss to - - - - himself and blackmailed him for $60,000." Has he lost his mind? Not at all. The first thing he spends money on is perfectly reasonable: a bright red 1970 Pontiac Firebird.

Carolyn and Jane are going through their own romantic troubles. Lester finds out Carolyn is cheating when he sees her with her lover in the drive-through lane of a fast-food restaurant (where he has a job he likes). Jane is being videotaped by Ricky (Wes Bentley), the boy next door, who has a strange light in his eyes. Ricky's dad (Chris Cooper) is a former Marine who tests him for drugs, taking a urine sample every six months; Ricky plays along to keep the peace until he can leave home.



All of these emotional threads come together during one dark and stormy night, when there is a series of misunderstandings so bizarre they belong in a screwball comedy. And at the end, somehow, improbably, the film snatches victory from the jaws of defeat for Lester, its hero. Not the kind of victory you'd get in a feel-good movie, but the kind where you prove something important, if only to yourself.

"American Beauty" is not as dark or twisted as "Happiness," last year's attempt to shine a light under the rock of American society. It's more about sadness and loneliness than about cruelty or inhumanity. Nobody is really bad in this movie, just shaped by society in such a way they can't be themselves, or feel joy.



The performances all walk the line between parody and simple realism; Thora Birch and Wes Bentley are the most grounded, talking in the tense, flat voices of kids who can't wait to escape their homes. Bening's character, a real estate agent who chants self-help mantras, confuses happiness with success--bad enough if you're successful, depressing if you're not.

And Spacey, an actor who embodies intelligence in his eyes and voice, is the right choice for Lester Burnham. He does reckless and foolish things in this movie, but he doesn't deceive himself; he knows he's running wild--and chooses to, burning up the future years of an empty lifetime for a few flashes of freedom. He may have lost everything by the end of the film, but he's no longer a loser.


Roger Ebert
Chicago Sun-Times

MEMORABLE QUOTES



Lester Burnham: You don't get to tell me what to do ever again.

Lester Burnham: I am sick and tired of being treated like I don't exist. You two do whatever you want whenever you want to do it and I don't complain --
Carolyn Burnham: Oh, you don't complain?!! Then I must be psychotic then! What is this?!! Yeah, let's bring in the laugh-meter and see how loud it gets --
[Lester throws a plate at the wall]

Ricky Fitts: Yes, I suck dick for money. You should see me fuck, I'm the best piece of ass in three states.
Colonel Frank Fitts: Get out. I don't ever want to see you again.
Ricky Fitts: What a sad little man you are.


Catering Boss: I'm not paying you do...what ever it is you're doing out here
Ricky Fitts: Fine, so don't pay me.
Catering Boss: what?
Ricky Fitts: I quit so you don't have to pay me. Now leave me alone!!
Catering Boss: asshole
Lester Burnham: I think you just became my personal hero!!!

Carolyn Burnham: Are you trying to look unattractive?
Jane Burnham: Yes.
Carolyn Burnham: Well, congratulations. You've succeded admirably.

Ricky Fitts: I'm not obsessing. I'm just curious.



Carolyn Burnham: Uh, who's car is that out front?
Lester Burnham: Mine. 1970 Pontiac Firebird. The car I've always wanted and now I have it. I rule!

Carolyn Burnham: This is a four thousand dollar sofa upholstered in Italian silk. It is not just a couch.
Lester Burnham: IT'S JUST A COUCH!

Lester Burnham: Smile! You're at Mr. Smiley's.


[Lester has just caught Caroline cheating with the Real Estate King.]
Carolyn Burnham: Uh Buddy, this is my--
Lester Burnham: Her husband. We've met before, but something tells me you're going to remember me this time.

Lester Burnham: It's okay. I wouldn't remember me either.

Angela Hayes: What do you want?
Lester Burnham: Are you kidding? I want you.

Brad Dupree: [reading Lester's job description] My job requires mostly masking my contempt for the assholes in charge, and, at least once a day, retiring to the men's room so I can jerk off while I fantasize about a life that less closely resembles Hell. You have absolutely no interest in saving yourself, do you?
Lester Burnham: Brad, I've been a whore for the telemarketing industry for 15 years. The only way I could save myself is if I start firebombing.

Ricky Fitts: Welcome to America's weirdest home videos.

Lester Burnham: look at me, jerking off in the shower...This will be the high point of my day it's all down hill from here

Lester Burnham: I feel like I've been in a coma for the past twenty years. And I'm just now waking up.

Jane Burnham: I know you think my dad's harmless, but you're wrong.

Carolyn Burnham: You ungrateful little brat! Just look at everything you have. When I was your age, we... lived in a duplex! We didn't even have our own house!

Carolyn Burnham: Fuck me, your majesty!

Carolyn Burnham: Don't you mess with me Mister, or I'll divorce you so fast it'll make your head spin!
Lester Burnham: On what grounds? I'm not a drunk, I don't fuck other women, I've never hit you, I don't mistreat you..I don't even try to touch you because you've made it so abundantly clear how unnecessary you consider me to be! But, I did support you before you got your license. And some people might think that entitles me to half of what's yours. So, turn off the light when you come to bed!



Angela Hayes: Yeah? Well at least I'm not ugly!
Ricky Fitts: Yes you are, and your boring and totally ordinary and you know it.

Brad Dupree: Man, you are one twisted fuck.
Lester Burnham: Nope, I'm just an ordinary guy with nothing to lose.

Ricky Fitts: Excuse me for speaking so bluntly sir. But those fags make me want to puke my fucking guts out.
Colonel Frank Fitts: Well, me too son. Me too.

Ricky Fitts: It was one of those days when it's a minute away from snowing and there's this electricity in the air, you can almost hear it. And this bag was, like, dancing with me. Like a little kid begging me to play with it. For fifteen minutes. And that's the day I knew there was this entire life behind things, and... this incredibly benevolent force, that wanted me to know there was no reason to be afraid, ever. Video's a poor excuse. But it helps me remember... and I need to remember... Sometimes there's so much beauty in the world I feel like I can't take it, like my heart's going to cave in.



Brad Dupree: [reading Lester's job description] My job requires mostly masking my contempt for the assholes in charge, and, at least once a day, retiring to the men's room so I can jerk off while I fantasize about a life that less closely resembles Hell.

Jim Olmeyer: Do you just want to lose weight, or are you looking to increase strength and flexibility as well?
Lester Burnham: I want to look good naked!

Ricky Fitts: So, do you like to party?
Lester Burnham: What?
Ricky Fitts: Do you like to get high?

Catering Boss: I'm not paying you to do... whatever it is you're doing.
Ricky Fitts: So don't pay me.
Catering Boss: Excuse me?
Ricky Fitts: I quit. So you don't have to pay me. Now leave me alone.
Lester Burnham: I think you just became my personal hero.



Carolyn Burnham: Honey, I watched you the whole time, and you didn't screw up once!

Carolyn Burnham: There happens to be a lot about me that you don't know, Mr. Smarty Man. There's plenty of joy in my life.

Brad Dupree: Got a minute?
Lester Burnham: For you, Brad, I've got five!

Angela Hayes: If people I don't even know look at me and want to fuck me, it means I really have a shot at being a model.

Ricky Fitts: My dad thinks I paid for all this with catering jobs. Never underestimate the power of denial.

Lester Burnham: This isn't life, it's just stuff. And it's become more important to you than living. Well, honey, that's just nuts.

Lester Burnham: Remember those posters that said, "Today is the first day of the rest of your life"? Well, that's true of every day but one --- the day you die.

Jane Burnham: I need a father who's a role model, not some horny geek-boy who's gonna spray his shorts every time I bring a girlfriend home from school.

Jane Burnham: Are you scared?
Ricky Fitts: I don't get scared.
Jane Burnham: My parents will try to find me.
Ricky Fitts: Mine won't.

Angela Hayes: It's that psycho next door. Jane, what if he worships you? What if he's got a shrine with pictures of you surrounded by dead people's heads and stuff?

Ricky Fitts: I was filming this dead bird.
Angela Hayes: Why?
Ricky Fitts: Because it's beautiful.

Lester Burnham: How's Jane?
Angela Hayes: What do you mean?
Lester Burnham: I mean, how's her life? Is she happy? Is she miserable? I'd really like to know, and she'd die before she'd ever tell me about it.
Angela Hayes: She's... she's really happy. She thinks she's in love.
Lester Burnham: Good for her.
Angela Hayes: How are you?
Lester Burnham: God, it's been a long time since anybody asked me that. ...I'm great.
Angela Hayes: I've gotta go to the bathroom.
Lester Burnham: I'm great.



[at the dinner table]
Carolyn Burnham: Your father and I were just discussing his day at work. Why don't you tell our daughter about it, honey?
Lester Burnham: Janie, today I quit my job. And then I told my boss to go fuck himself, and then I blackmailed him for almost sixty thousand dollars. Pass the asparagus.
Carolyn Burnham: Your father seems to think this type of behavior is something to be proud of.
Lester Burnham: And your mother seems to prefer I go through life like a fucking prisoner while she keeps my dick in a mason jar under the sink.
Carolyn Burnham: How dare you speak to me that way in front of her. And I marvel that you can be so contemptuous of me, on the same day that you LOSE your job.
Lester Burnham: Lose it? I didn't lose it. It's not like, "Whoops! Where'd my job go?" I QUIT. Someone pass me the asparagus.

Carolyn Burnham: Honey, don't be weird!



Lester Burnham: You don't think it's kinda weird & fascist?
Caroyln Burnham: Possibly, but you don't want to be unemployed.
Lester Burnham: Oh well, alright, let's all sell our souls and work for Satan because it's more convenient that way.

Mr. Smiley's Manager: I don't think you'd fit in here.
Lester Burnham: I have fast food experience.
Mr. Smiley's Manager: Yeah, like twenty years ago!
Lester Burnham: Well, I'm sure there have been marvelous advances in the industry, but surely you must have some sort of training program. It's unfair you presume I won't be able to learn.

Carolyn Burnham: Well, I see your smoking pot now. I think the use of a sub-controlled drug is a very positive example to set for our daughter.
Lester Burnham: You're one to talk, you bloodless, money-grabbing freak.

Carolyn Burnham: What the hell do you think you're doing?
Lester Burnham: I'm going to whale on my pecs and then do my back.

Lester Burnham: I can't feel anything but gratitude for every single moment of my stupid little life.



Lester Burnham: [Narrating] I had always heard that your entire life flashes before your eyes the second before you die. Only that one second, isn't a second at all, it seems to stretch out forever like an ocean of time. For me it was lying on my back at boy scout camp, watching falling stars. And the maple trees that line our street. Or my grandmother's hands, and how her skin seemed like paper. And the first time I saw my cousin Tony's brand new Firebird. And Janey. And my last thought was of Carolyn. I guess I could be pretty pissed off about what happened to me, but it's hard to be angry when there's so much beauty in the world. Sometimes, I feel like I'm seeing it all at once, and I can't take it. My heart swells up like a balloon that's about to burst. But then I remember to relax, and stop trying to hold onto it. And then, it flows through me like rain and I feel nothing but gratitude for every single moment of my stupid little life. You have no idea what I'm talking about, I'm sure. But don't worry. You will someday.

Jane Burnham: [turning the camera on Ricky] Don't you feel naked?
Ricky Fitts: I am naked.

Lester Burnham: [narrating] That's my wife, Carolyn. See the way the handle on her pruning shears matches her gardening clogs? That's not an accident.

Colonel Frank Fitts: You need structure... and discipline.
Ricky Fitts: Thank you for trying to teach me, sir. Don't give up on me, Dad.

Carolyn Burnham: My company sells an image. It's part of my job to live that image.

Lester Burnham: [narrating] It's a great thing when you realize you still have the ability to surprise yourself.

Carolyn Burnham: What are you doing?
Lester Burnham: Nothing.
Carolyn Burnham: You were masturbating!
Lester Burnham: I was not.
Carolyn Burnham: Yes you were!
Lester Burnham: Oh, all right! So shoot me, I was whacking off! That's right, I was choking the bishop, chafing the carrot, you know, saying "hi" to my monster!



Lester Burnham: When I was your age, I flipped burgers just to be able to buy an eight-track.
Ricky Fitts: That sucks.
Lester Burnham: No, actually it was great. All I did was party and get laid. I had my whole life ahead of me.

Buddy Kane: In order to be successful, one must project an image of success at all times.

Carolyn Burnham: I refuse to be a victim!


Jane Burnham: Somebody should just put him out of his misery.
Ricky Fitts: Do you want me to kill him?
Jane Burnham: Yeah, would you?

Colonel Frank Fitts: Where's your wife?
Lester Burnham: Uh, I dunno. Probably out fucking that dorky, prince-of-real-estate asshole.
Colonel Frank Fitts: Your wife is with another man and you don't care?
Lester Burnham: Nope. Our marriage is just for show. A commercial for how normal we are when we're anything but.

Lester Burnham: So Janie, how was school?
Jane Burnham: It was okay.
Lester Burnham: Just okay?
Jane Burnham: No dad, it was spectacular.

[After meeting Ricky Fitts for the first time]
Angela Hayes: What a freak! And why does he dress like a bible salesman?
Jane Burnham: He's just so confident, it can't be real.
Angela Hayes: I don't believe him. I mean, he didn't even like, look at me once!

Angela Hayes: I don't think that there's anything worse than being ordinary.

Angela Hayes: So, you're fucking psycho-boy on a regular basis now? Tell me, has he got a big dick?
Jane Burnham: It's not like that.
Angela Hayes: What, hasn't he got one?
Jane Burnham: I'm not going to talk about his dick with you, OK?

Ricky Fitts: Yes, I suck dick for money. You should see me fuck, I'm the best piece of ass in three states.
Colonel Frank Fitts: Get out. I don't ever want to see you again.
Ricky Fitts: What a sad little man you are.



Carolyn Burnham: Don't you mess with me, mister, or I'll divorce you so fast it'll make your head spin!
Lester Burnham: On what grounds? I'm not a drunk, I don't fuck other women, I've never hit you, I don't mistreat you... I don't even try to touch you because you've made it so abundantly clear how unnecessary you consider me to be! But I did support you before you got your license, and some people might think that entitles me to half of what's yours. So, turn off the light when you come to bed!

Angela Hayes: I'm serious. He just pulled down his pants and yanked it out. You know, like, "Say hello to Mr. Happy."
Playground Girl #1: Gross.
Angela Hayes: It wasn't gross. It was kinda cool.
Playground Girl #1: So did you do it with him?
Angela Hayes: Of course I did. He's like a really well known photographer. He shoots for "Elle" on like a regular basis. It would have been so majorly stupid of me to turn him down.
Playground Girl #2: You are a total prostitute.
Angela Hayes: Hey! That's how things really are. You just don't know 'cause you're this pampered little suburban chick.
Playground Girl #2: So are you. You've only been in "Seventeen" once and you looked fat! So stop acting like you're goddamn Christy Turlington!
Angela Hayes: Cunt!



Angela Hayes: You do, slut, you have a crush on him. You're defending him, you love him, you wanna have, like, ten thousand of his babies.

Jane Burnham: I don't think we can be friends anymore.
Angela Hayes: You're way too uptight about sex.
Jane Burnham: Just don't fuck my dad, all right? Please?
Angela Hayes: Why not?

[Last line]
Lester Burnham: I guess I could be pretty pissed off about what happened to me. But it's hard to stay mad when there's so much beauty in the world. Sometimes I feel like I'm seeing it all at once... and it's too much. My heart fills up like a balloon that's about to burst. And then I remember... to relax, and not try to hold on to it. And then it flows through me like rain. And I can't feel anything but gratitude for every single moment of my stupid little life. You have no idea what I'm talking about, I'm sure. Don't worry... you will someday.

Ricky Fitts: She's not your friend. She's just someone you use to feel good about yourself.

Angela Hayes: Jane, he's a freak!
Jane Burnham: Then so am I! And we'll always be freaks and we'll never be like other people and you'll never be a freak because you're just too... perfect!

Angela Hayes: You total slut, you have a crush on him. You're defending him, you love him, you wanna have, like, ten thousand of his babies.



Lester Burnham: My name is Lester Burnham , this is my neighborhood, this is my street , this is my life. I am 42 years old, in less than a year I will be dead. Of course i don't know that yet, and in a way i am dead already.

Lester Burnham: [narrating] Both my wife and daughter think I'm this gigantic loser and they're right, I have lost something. I'm not exactly sure what it is but I know I didn't always feel this... sedated. But you know what? It's never too late to get it back.

Jane Burnham: Could he be any more pathetic?
Angela Hayes: I think it's sweet. And I think he and your mother have not had sex in a long time.

[Seeing Lester and the two Jim's jogging]
Colonel Frank Fitts: What is this?! The fucking Gay Pride parade!

Lester Burnham: [narrating] Janie's a pretty typical teenager. Angry, insecure, confused. I wish I could tell her that's all going to pass, but I don't want to lie to her.



Jim Olmeyer: Hello! We're your neighbors from two doors down and we just wanted to welcome you to the neighborhood!
[handing the Colonel a gift basket]
Jim "JB" Berkely: Everything's from our garden, except for the pasta.
Jim Olmeyer: Yes, it's from Fizzoli's, it's amazingly fresh, you just pop it in water and it's done! I'm Jim Olmeyer
[shakes the Colonel's hand]
Jim Olmeyer: And this is my partner Jim.
Jim "JB" Berkely: Jim Berkely, but people call me J.B.
[extends his hand to shake]
Colonel Frank Fitts: Ah, let's just cut to it, what are you selling?
Jim Olmeyer: Nothing, we just wanted to welcome you to the neighborhood.
Colonel Frank Fitts: You said you're partners, so, uh what's your business?
Jim Olmeyer: Well, he's a tax attorney.
Jim "JB" Berkely: And he's an anesthesiologist.

Ricky Fitts: I didn't mean to scare you. I just think you're interesting.

Lester Burnham: Okay, let's all sell our souls and work for Satan 'cos it's more convenient that way!

Lester Burnham: Man, oh man. Man, oh man, oh man, oh man, oh man.
[last words, while looking at a picture of his family]


TRIVIA

Kevin Spacey and Annette Bening were both the first choices of Sam Mendes for the roles of Lester and Carolyn although the role of Lester Burnham was originally offered to Tom Hanks (who later starred in Sam Mendes's follow up project Road to Perdition (2002), and Chevy Chase.

The role of Angela Hayes was offered to Kirsten Dunst, who turned it down.

Terry Gilliam turned down the chance to direct the film.

Jeff Daniels was also considered for the role of Lester Burnham.



Thora Birch was only 17, so filming her brief nude scene required permission from her parents, who were both on the set during the filming along with child labor representatives.

The Smiley fast food restaurant is actually a Carl's Jr.

The Spartanettes' dance routine was choreographed by singer Paula Abdul.

Wes Bentley smoked honey tobacco with Kevin Spacey for the pot-smoking scenes.

This film has been described as "Death of a Salesman" for the nineties. Early in the film, Carolyn mentions that "the Lomans" just moved out of the house next door.

The last name of Mena Suvari's character, Angela Hayes, is probably a reference to the last name of Lolita Haze, from the Vladimir Nabokov novel "Lolita."

Lester Burnham, a middle-aged man who develops an infatuation with an adolescent girl, is an update of Humbert Humbert from the classic novel Lolita. "Lester Burnham" is an anagram for "Humbert learns."

Like his earlier film, Usual Suspects, The (1995), this film ends with a Kevin Spacey voiceover, with the screen fading to black before he speaks the final words. ("You will someday", in this film; "He's gone", in The Usual Suspects).



Lester gives his work phone number as 555-0199. This was also the phone number Al Pacino leaves on Russell Crowe's answering machine in the beginning of _Insider, The (1999)_, released the same year.

The self-help tapes that Carolyn listens to are made by a "Dr. Alan Ball." Alan Ball is the film's screenwriter.

The end credits extend special thanks to "Dr. Bill & Alice." This is a reference to Eyes Wide Shut (1999), whose female lead, Nicole Kidman, appeared on stage in The Blue Room, also directed by Sam Mendes.

In Lester's cubicle we see a small movie poster for Usual Suspects, The (1995).

The area codes in Jane's phone book are 312, which is the area code for Chicago. The paper in the Burnham's kitchen appears to be the Chicago Sun-Times.

A photograph of the Burnhams' home can be seen to the left of Ricky Fitts when he introduces himself to Lester at the Real Estate Convention.

The painting in the banquet hall behind Ricky during his meeting with Lester is actually of the Burnham Home.

The tagline and important theme of the film - "Look closer" - can be seen in Lester's cubicle at work.

The title of the film refers to a breed of roses.

The lawn signs for both Carolyn and Buddy have phone numbers with an (847) area code. The (847) area code serves the northern suburbs of Chicago, Illinois.

Director Cameo: [Sam Mendes] Near the end of the film, when Ricky opens the kitchen door to discover Lester, the hand opening the door (to reveal the blood on the table) is that of director Sam Mendes.

The video for "Cancer For The Cure" by Eels can be seen on a television Jane and Angela are watching.

Executive Producer Steven Spielberg personally recommended Sam Mendes to direct this film.



Director Sam Mendes personally filmed the pivotal POV shot of Ricky's camera when he zooms past the figure of Angela to "look closer" at Jane's smiling reflection in the mirror.

Though the film appears to be set in a suburb of Chicago, IL, the aerial shots over the town were filmed above Sacramento, CA. The crew originally wanted to use San Jose, CA, for the shot, but its police department wouldn't allow their helicopter to fly below 300 feet due to noise disturbance; the crew had hoped for a 100-ft height. However, the same 300-ft height limit was imposed in Sacramento as well!

DRTRADE(Sam Mendes): Water marks the event of a death

When Lester is sitting at his desk at work, there is a small poster that says "Look Closer". This is the movie's tagline.

The helicopter shot at the beginning of the movie was originally for a flying sequence where Lester floats over the houses and then down onto his bed.

The high school campus scenes in American Beauty, including the Spartanette dance sequence in the gymnasium, were shot at South High School in Torrance, California.

The original script was topped and tailed with scenes of Ricky and Jane in jail and on trial, and other events surrounding their arrest.

The scene where Lester is putting in an application for the counter job at Smiley Burger was actually shot at night, but it was later fixed to look like day. Notice that neither Lester nor the burger kid have shadows on their faces from the sun.





BASIC INFO


United States, 1999
U.S. Release Date: 9/15/99 (limited); 9/24/99 (wider)
Running Length: 2:00
MPAA Classification: R (Profanity, nudity, sexual situations, drugs, violence)
Theatrical Aspect Ratio: 2.35:1
Director: Sam Mendes
Producers: Bruce Cohen, Dan Jinks
Screenplay: Alan Ball
Cinematographer: Conrad L. Hall
Music: Thomas Newman
U.S. Distributor: Dreamworks SKG
In English



DVD FEATURES


Region 1
Keep Case
Anamorphic Widescreen 2.35

Audio
Dolby Digital 5.1 English
DTS Surround 5.1 English

Additional Release Material
Featurette
Audio Commentary 1. Sam Mendes Director, Alan Ball Writer
2. Sam Mendes Director, Conrad L. Hall Cinematographer
Trailers

Text/Photo Galleries

Production Notes
Storyboards
Biographies 1. Cast & Crew

KEYWORDS

black-comedy, remote-controlled-toy-car, depression, homosexual, dv-camera, video-footage, murder, adultery, real-estate-agent, bathtub-scene, self-discovery, drug-dealing, child-abuse, drugs, teen-romance, voyeur, suburbia, fitness, beauty, estranged-couple, weapon, videotape, american-dream, narration-from-the-grave, lolita, midlife-crisis, obsessive-compulsive, gun, video-camera, critically-acclaimed, sexual-fantasy, materialism, exposed-breast, nudity, dysfunctional-family, domineering-father, cannabis, masturbation-scene, nihilism, homophobia, violence, tragedy, nazi-paraphernalia, alienation, get-into-shape, kissing, rose, misfit, affair, neighbor, parenthood, teen, urine, asparagus, blackmail, shot-in-the-head, face-slap, gay-slur, breast-enlargement, breasts, twist-in-the-end, cheerleader, goth-girl, satire, pedophile, cheerleading


CAST & CREW


Kevin Spacey
.... Lester Burnham
Annette Bening .... Carolyn Burnham
Thora Birch .... Jane Burnham
Wes Bentley .... Ricky Fitts
Mena Suvari .... Angela Hayes
Peter Gallagher .... Buddy Kane
Allison Janney .... Barbara Fitts
Chris Cooper (I) .... Colonel Fitts
Scott Bakula .... Jim Olmeyer
Sam Robards .... Jim Berkley
Barry Del Sherman .... Brad
Ara Celi .... Sale House Woman #1
John Cho .... Sale House Man #1
Fort Atkinson .... Sale House Man #2
Sue Casey .... Sale House Woman #2